Jeremy Slate 1926-2006
Wednesday, November 29th, 2006 
There haven’t been that many working actors from Atlantic City (James Avery and Rosalind Cash come immediately to mind), but Jeremy Slate was one of them. He passed away Nov. 19 after cancer surgery.
Born in Atlantic City on February 17, 1926, he was never famous but he did a slew of television guest spots and the occasional movie in his long career. You can catch him in an unaccredited role as a policeman in Hitchcock’s classic North By Northwest, and John Wayne killed him (and fellow bad guy Dennis Hopper) in True Grit. He also died on-screen trying to save John Wayne’s life in The Sons of Katie Elder.
A World War II veteran who saw action at Omaha Beach, he got into acting in his thirties after careers as a lifeguard, sportscaster and public relations man. His other film roles include GI Blues and Girls! Girls! Girls! opposite Elvis, Born Losers, Hells Angels ’69 (which he co-wrote) and Lawnmower Man. He was the star of the 1960 TV series The Aquanauts, and was a long time regular on the soap opera One Life to Live in the 1980s. His many TV guest spots include the shows Combat, The Alfred Hitchcock Hour, Bonanza, The Man From U.N.C.L.E., Route 66, Perry Mason and Have Gun, Will Travel. More recently he guested on My Name Is Earl.
Can you generate Oscar buzz with a movie that makes fun of Hollywood types who go nuts when the O-word is mentioned in regards to their work? I’m here to suggest that Catherine O’Hara, a long time member of the Christopher Guest repertoire company, and an SCTV alumnus, is Oscar-worthy as Marilyn Hack, an actress who lets Oscar talk swell her head, in Guest’s often hilarious spoof For Your Consideration. (To read my complete review, check out
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I took my nephew and his best friend to Vineland’s Delsea Drive-In last Saturday night for the holiday triple bill of Flushed Away, Happy Feet and Man of the Year. It was appropriate that one of the movies was set at the South Pole. My feet felt like they were incased in ice while watching Happy Feet as the temperature dropped to near freezing.
Robert Altman created a style of moviemaking that has been often imitated but rarely duplicated. The maverick film director who mostly worked outside the studio system died last night at age 81. His body of work is a legacy of movies that featured multiple characters with overlapping dialogue. These characters would often circle around in their own universe until they crashed into other characters in exciting ways. Notable examples of his distinctive style include Nashville, The Player, Short Cuts and Gosford Park. His fourth movie was a studio job that remained his most popular effort in terms of box office success. Before the TV series, there was M*A*S*H (1970) a movie that took a well worn genre, the G.I. service comedy, and took it into the realm of cutting edge anti-war black comedy at the height of the Vietnam War. In my mind Donald Sutherland is Hawkeye Pierce, Elliott Gould is Trapper John, Sally Kellerman is Hot Lips and Robert Duvall is Frank Burns.
He had a face made for menacing film roles and that’s just what he did following graduation from Stanford University in 1947. His first break was as stand-in to Marlon Brando for A Streetcar Named Desire on Broadway, where he took over the role. He made his film debut in 1950’s Panic in the Streets and earned back-to-back Oscar nominations for bad guy roles in Sudden Fear and the classic western Shane. Forty years later he won the golden statuette for his comedy performance in City Slickers (1991) as Curly. His one-arm push-ups after he accepted the award earned him the biggest notoriety of his long career. It remains one of the most memorable Oscar moments of all time.
My personal Jack Palance film festival would include his finest performance, an Emmy-award winning turn as a washed-up fighter in Rod Serling’s TV drama Requiem for a Heavyweight. Also on the “best of” list would be Shane, Panic in the Streets, The Big Knife, City Slickers and Bagdad Café.
Yesterday, Rod Stewart announced he will embark on a
That will send a clear message that you are willing to—and I hate this phrase—“Change the culture of our Iraqi policy.” Work together with the new Congress to find a road you can both walk towards a resolution of the mess in Iraqi. Our politicians might use party politics as a nasty club to bash opponents with ridiculous and seemingly libelous accusations, but after the votes are counted we are not going out and killing members of the other tribe. In our hearts and souls we are Americans first. Let’s show the rest of the world what “United We Stand” really means. For a more formal fire Rumsfeld argument check out this link